Posts by Elbee

REKT Christmas Edition: DIAL CODE SANTA CLAUS

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Willa Rae’s turn to do the damage. Here are Elbee‘s thoughts on Dial Code Santa Claus. Helping me on this recommendation is my partner, Andrew Bargeron, illustrator and designer, podcast producer, and one-half of the old Got Me A Movie show, right here on Cinepunx. *** Elbee: This movie was recommended by a relative newcomer to Cinepunx named Willa Rae. Her recommendations were very heavy. Andrew: What do you
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Keeping Up With The Criterions: Christmas Edition ALL THAT HEAVEN ALLOWS

Isn’t it great as December rolls around how we get to look forward to despising the business of arguing whether or not any of our favorite films are classifiable as “Christmas movies”? If a film has any semblance to the holiday season at all, it usually makes the cut — to the chagrin of naysayers who want a Christmas movie to specifically be about Christmastime, instead of only using it as a backdrop. So, alongside Shane Black movies, we have stuff like American Psycho and Eyes Wide Shut generously applied to Christmas, and for some reason, this is a thing
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Keeping Up With The Criterions: DESERT HEARTS (1986)

The summer of 2018 will always live in infamy for me as the summer where I bought way too many Criterion Collection blu-rays during one of the 50% off sales. Honestly, I’m swimming in Criterions, and I don’t know how I’m going to make it through them all. So here, in this column, I invite you to keep up with the Criterions with me. Come along, won’t you? The world built by Donna Dietch in her 1986 film Desert Hearts is pretty unexpected. The film is set in 1959, and what the title tells us we should be in for
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CINE-WEEN: Elbee Defends A Remake – FRIGHT NIGHT (2011)

Over the years, remakes — especially horror remakes — have gained such a sour reputation that even the mere mention of the word is immediately followed by groans, sighs, and rolled eyes. Of course, the main problem with remakes is that we can’t help but compare them to the original works. The other problem is that hardly anything is capable of conquering that beast called nostalgia. We have endless discussions of “what’s wrong with the original?” and “is this even necessary?” with points and counterpoints so meticulous that the whole argument has become exhausting. But what if we took that
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CINE-WEEN: Elbee Defends A Remake POLTERGEIST (2015)

Over the years, remakes — especially horror remakes — have gained such a sour reputation that even the mere mention of the word is immediately followed by groans, sighs, and rolled eyes. Of course, the main problem with remakes is that we can’t help but compare them to the original works. The other problem is that hardly anything is capable of conquering that beast called nostalgia. We have endless discussions of “what’s wrong with the original?” and “is this even necessary?” with points and counterpoints so meticulous that the whole argument has become exhausting. But what if we took that element
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CINE-WEEN: Elbee Defends A Remake THE HILLS HAVE EYES (2006)

Over the years, remakes — especially horror remakes — have gained such a sour reputation that even the mere mention of the word is immediately followed by groans, sighs, and rolled eyes. Of course, the main problem with remakes is that we can’t help but compare them to the original works. The other problem is that hardly anything is capable of conquering that beast called nostalgia. We have endless discussions of “what’s wrong with the original?” and “is this even necessary?” with points and counterpoints so meticulous that the whole argument has become exhausting. But what if we took that element
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Rekt: JOHNNY GUITAR

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Trey Lawson’s turn to do the damage. Here are Elbee‘s thoughts on Johnny Guitar.   Admittedly, I may be cheating a little bit by picking this movie. We’re supposed to choose films from the recommendation list that we haven’t seen, or that we have seen and need to re-evaluate, and Johnny Guitar falls into neither for me. But I did watch it only recently, to widen my knowledge of westerns for an
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Rekt: VIGILANTE

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Liam’s turn to do the damage. Here are Elbee‘s thoughts on Vigilante.   If there’s any hole in my cinematic knowledge, it would have to be exploitation pictures. This isn’t an admission so much as it is an attempt for you readers to understand me and the kind of films I love and appreciate….wait a minute, wow. I already sound like a snob here. What I mean is, I don’t
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Purgin’ It, or How THE FIRST PURGE Gives Us What We Need

There’s an old talking point that says when Republicans are in office, we get better horror films. It’s not entirely inaccurate, either; a quick look at the horror boom in the early 1980s probably provides the easiest and best evidence of this idea, considering what was happening not only stateside but in the world. Some of you may be too young to remember the Cold War (I’m old, and I barely do), but with Ronald Reagan’s masterful “Bear in the Woods” tactics tricking America into thinking doom and demise were around the corner, the social climate was set up perfectly
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REKT: The Duke of Burgundy

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Adrianna Gober’s turn to do the damage. Here are Elbee‘s thoughts on The Duke of Burgundy.   Adrianna has been trying to get me to watch The Duke of Burgundy for what seems like decades; this is an absolute fact. When we first discussed the film all those years ago, I told her I had started watching it once and was intrigued, however (as I often do) I fell asleep
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