Posts by Elbee

CINE-WEEN: Elbee Defends A Remake POLTERGEIST (2015)

Over the years, remakes — especially horror remakes — have gained such a sour reputation that even the mere mention of the word is immediately followed by groans, sighs, and rolled eyes. Of course, the main problem with remakes is that we can’t help but compare them to the original works. The other problem is that hardly anything is capable of conquering that beast called nostalgia. We have endless discussions of “what’s wrong with the original?” and “is this even necessary?” with points and counterpoints so meticulous that the whole argument has become exhausting. But what if we took that element
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CINE-WEEN: Elbee Defends A Remake THE HILLS HAVE EYES (2006)

Over the years, remakes — especially horror remakes — have gained such a sour reputation that even the mere mention of the word is immediately followed by groans, sighs, and rolled eyes. Of course, the main problem with remakes is that we can’t help but compare them to the original works. The other problem is that hardly anything is capable of conquering that beast called nostalgia. We have endless discussions of “what’s wrong with the original?” and “is this even necessary?” with points and counterpoints so meticulous that the whole argument has become exhausting. But what if we took that element
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Rekt: JOHNNY GUITAR

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Trey Lawson’s turn to do the damage. Here are Elbee‘s thoughts on Johnny Guitar.   Admittedly, I may be cheating a little bit by picking this movie. We’re supposed to choose films from the recommendation list that we haven’t seen, or that we have seen and need to re-evaluate, and Johnny Guitar falls into neither for me. But I did watch it only recently, to widen my knowledge of westerns for an
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Rekt: VIGILANTE

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Liam’s turn to do the damage. Here are Elbee‘s thoughts on Vigilante.   If there’s any hole in my cinematic knowledge, it would have to be exploitation pictures. This isn’t an admission so much as it is an attempt for you readers to understand me and the kind of films I love and appreciate….wait a minute, wow. I already sound like a snob here. What I mean is, I don’t
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Purgin’ It, or How THE FIRST PURGE Gives Us What We Need

There’s an old talking point that says when Republicans are in office, we get better horror films. It’s not entirely inaccurate, either; a quick look at the horror boom in the early 1980s probably provides the easiest and best evidence of this idea, considering what was happening not only stateside but in the world. Some of you may be too young to remember the Cold War (I’m old, and I barely do), but with Ronald Reagan’s masterful “Bear in the Woods” tactics tricking America into thinking doom and demise were around the corner, the social climate was set up perfectly
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REKT: The Duke of Burgundy

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Adrianna Gober’s turn to do the damage. Here are Elbee‘s thoughts on The Duke of Burgundy.   Adrianna has been trying to get me to watch The Duke of Burgundy for what seems like decades; this is an absolute fact. When we first discussed the film all those years ago, I told her I had started watching it once and was intrigued, however (as I often do) I fell asleep
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Serendipity

This is REKT, the column where each month one Cinepunx staffer recommends films to the rest of the fam. We may be stoked, or we may be wrecked. This month, it’s Justin Harlan’s turn to do the damage. Here are Elbee‘s thoughts on Serendipity.   When Justin suggested all John Cusack movies for this month’s recommendations, I have to admit I groaned a bit. I’m not knocking Justin’s taste in movies or his affinity for the man Cusack, but I just knew I’d end up watching and writing about some sappy romantic comedy since that portion of his career is the
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JUST ANNOUNCED – CINEDELPHIA 666 HIGHLIGHTS AND SCHEDULE

Hear ye witches, goblins, and film lovers, things are getting diabolic at this year’s Cinedelphia Film Festival! Presented by PhilaMOCA, 2018 is the 6th year running for CFF – and they’ve affectionately titled this incarnation of the fest “Cinedelphia 666.” This year’s festival theme is centered around “spirituality, the occult, and outsider thought,” with the infernal events kicking off April 12. Opening night of the fest will feature TST founder Lucien Grieves performing a live ritual followed by a screening of the Mexican cult film Alucarda. Other highlights of CFF this year include actress Jessica Harper in attendance for a
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WOMEN IN HORROR MONTH: Ida Lupino and THE HITCH-HIKER

Editor’s Note: This review is the unofficial beginning of a new column we will feature at Cinepunx, called REKT. Each month, one of our contributing staff will recommend ten films in which the rest of us will review, and which may or may not wreck us. Preface: I asked our very own Adrianna Gober — brilliant editor, author, and all-around cool chick — to give me a list of recommendations of female-fronted horror flicks for Women in Horror Month. Here are some thoughts on one of the films on that list, Ida Lupino’s The Hitch-Hiker. *** When English actress Ida
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Move Forward, We Must: What THE LAST JEDI Tells Us About Letting Go of the Past

Fair warning: this isn’t going to be a typical review of The Last Jedi. I’m not going into plotlines or performances or whether or not I think it’s an overall good or bad film. I’m not going to focus on whether or not it should be Star Wars canon, nor am I going to focus on either enabling or disproving fanboy complaints. What I do want to pursue here is a discussion of what makes this film important, and as we’ve now had time to sit with it and reflect since it’s been in the box office for a few
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