Posts by Nick Spacek

WOMEN IN HORROR MONTH: Talking With Diane Franklin About Her Return to Amityville

Actress Diane Franklin is well-known to genre fans for her work in such films as TerrorVision, Amityville II: The Possession, and, to the die-hards, an appearance in an episode of Freddy’s Nightmares —- A Nightmare on Elm Street: The Series. However, she’s known the world over to fans of ’80s films as Monique Junet from Savage Steve Holland’s 1985 classic, Better Off Dead, to say nothing of being one of the princesses in Bill & Ted’s Excellent Adventure and Karen in The Last American Virgin. While her output slowed after the early ’90s, Franklin has recently returned to film, and it’s
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BOOKSHELF: Craig Oldham Reveals the Details of Making THEY LIVE: A VISUAL AND CULTURAL AWAKENING

In November, John Carpenter’s sci-fi invasion classic, They Live, celebrated its 30th anniversary. To say the movie’s influence has been long-reaching would be to undersell They Live‘s cultural impact by quite a lot, but suffice it to say, the film’s imagery and story have cropped up in any number of unusual places, from South Park to the punk rock of New Jersey’s Night Birds, to name but two random selections. In honor of that anniversary, Rough Trade Books released They Live: A Visual And Cultural Awakening, the first in Craig Oldham’s Epiphany Editions. “Designed as a perfect replica from the
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BOOKSHELF: SUPERHERO BODIES Explores the Endless Permutations of Identity

For whatever reason, I fall in love with academic essay collections. The ability of the writers to analyze pop culture in new and unique ways always opens up my eyes to new possibilities when it comes to interpreting the things which I watch, read, and to which I listen. Superhero Bodies: Identity, Materiality, Transformation, from Routledge’s Advances in Comics Studies series, is one of those such books. Per the introduction, the book is “the first collection of scholarly research specifically dedicated to investigating the diversity of superhero bodies, their emergence, their powers, their secrets, their histories, and their transformations.” Now,
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ANALOG ADVENTURES: Looking at Run Out Groove

I get a lot of random records, tapes, and books in the mail, because publicists forget that outlets for which I used to work aren’t around anymore, or someone finds the address hidden on my website, or… whatever. This is a way to keep them from piling up uselessly in the corner of the office. Run Out Groove is a cool company who sends me everything they press, and since the site I used to write for is now no longer operational in that capacity, there has been a huge pile of their last few (half-dozen) releases piling up on
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NEGRO TERROR Offers Up an Interesting Profile of the Memphis Hardcore Band

Memphis hardcore band Negro Terror first came to my attention via a post wherein someone was like, “Hey, this is a hardcore band made up of three black guys who are covering Skrewdriver songs to put a thumb in the eye of white supremacists.” Or something to that effect. Count me in, right? So, here’s the thing: anyone who’s a fan of oi / streetpunk / hardcore — hell, any sort of heavy or extreme music — is aware of the various pitfalls, sandtraps, and dangers lurking within those subgenres. Anyone who’s been told about a new black metal band
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Kansas City’s Inner Altar Melds Hardcore’s Bite With Occult Rock Theatricality

This Friday, January 18, sees the release of the debut full-length from Kansas City’s Inner Altar, via the Company. Titled Vol III, the nine-track album takes the sound the band’s been honing for several years and really brings all of the disparate influences together, keeping a sense of space-rocking openness, while eschewing the rough-and-tumble looseness that dominated their previous EPs. I described it a couple of weeks back as “Danzig by way of the Cult, playing in a big, raucous warehouse,” when the video for “Lives of Fire” dropped, but the Company’s Joshua Wilkinson did an even better job of
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ANALOG ADVENTURES: Taking Back Sunday and Paul Jacks

I get a lot of random records, tapes, and books in the mail, because publicists forget that outlets for which I used to work aren’t around anymore, or someone finds the address hidden on my website, or… whatever. This is a way to keep them from piling up uselessly in the corner of the office. Taking Back Sunday – Twenty (Craft Recordings) Per the label, “Twenty is a career-to-date retrospective, celebrating 20 years of Taking Back Sunday. The collection spans each of their studio albums; Tell All Your Friends, Where You Want To Be, Louder Now, New Again, Taking Back Sunday,
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Talking Her Career (and That Amazing CUTTING CLASS Interview) With Jill Schoelen

In the late ’80s and early ’90s, the films of actress Jill Schoelen were readily available in the horror section of any self-respecting video store: The Stepfather, Cutting Class, Popcorn, and When A Stranger Calls Back, to name the highlights. However, as VHS waned and DVD began to make its ascent, most of these flicks were issued only as bare-bones discs, if at all, and went out of print fairly soon thereafter. Happily, in the last few years, fans have seen deluxe Blu-ray editions with restored prints and tons of extras make their way to the marketplace. Synapse kicked everything
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BOOKSHELF: Richard Lloyd’s EVERYTHING IS COMBUSTIBLE Burns With Fascinating Stories

Richard Lloyd is not Richard Hell. Richard Hell was born Richard Lester Meyers, and he was the other guitarist in Television; Lloyd’s the one who stuck it out. He was familiar with Led Zeppelin, Jimi Hendrix, John Lee Hooker, and more of the icons of late ’60s rock ‘n’ roll guitar god suchness. Now that that’s out of the way, on to his memoirs. How do you review a book like Everything Is Combustible: Television, CBGB’s and Five Decades of Rock and Roll? It’s linear (at times), sure, and definitely works in the memoir style, wherein Lloyd relates tales of
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Cinepunx’s Best of 2018

It’s the Best Movies and Music of 2018, as determined by your friends at Cinepunx. Because we’re egalitarian as hell, we not only let everyone determine their own lists, we let them determine their own awards, and — throwing all caution to the wind — we even invited friends of the site to join in the fun. It’s a goddamn end of the year free-for-all. Get at it below. TL;DR: People were really into First Reformed, Hereditary, Spider-Man: Into the Spider-Verse, and Mandy, in terms of movies. For music, it was Tragedy’s Fury, Turnstile’s Time and Space, Janelle Monae’s Dirty
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