CINEPUNX Episode 67: Talking Fellini with Heidi Saman (NAMOUR)

on July 27, 2017 1Comment Liam O'Donnell

THE PUNX ARE BACK! On this intellectually engaging and yet totally tubular episode we discuss three films by Federico Fellini La Strada, Nights of Cabiria, and La Dolce Vita

Our guest is Philadelphia based Writer, Director, Producer HEIDI SAMAN!

We spend some time talking to Heidi about her stellar film, Namour which is currently available on Netflix! We do our usual WACK AND ON TRACK gimmick, and then jump into it discussing these films. Joash and I were relatively ignorant about Fellini, and this discussion represents some of that but also got into some cool ideas as well.

Our opening song is PRISON HIT and our break son is SANTAGOLD. Big ups,. as usual, to our sponsor LEHIGH VALLEY APPAREL CREATIONS!

Thanks so much Heidi for being ever briefly a part of our crazyness, and thanks to all of you for listening!

About Liam O'Donnell

Liam O'Donnell is co-creator and co-host of the Cinepunx podcast and Editor in Chief of the Cinepunx website. Liam has written about film, music, politics and faith for a variety of publications in real life and online. Despite his advanced age he can be seen moshing in the greater Philadelphia area, usually to a cover song. He can be seen sitting in the audience at the newest comic book film, the retro drive-in screening of a Fulci film, or catching a series of Jodorowsky films. Liam has worked in social services, events planning, arts curation, education, community organizing, faith communities, and scooping ice cream. He has worked with festivals like This Is Hardcore Fest and The Awesome Fest. Despite all these things, Cinepunx is definitely the coolest thing he has ever done.

October 20, 2020

HELP FOR THE HELPERS Episode 5: Be The Clever Politician (Joshua Kingdom)

September 6, 2018

CINEPUNX Episode 85: DRUGSTORE COWBOY/ MY OWN PRIVATE IDAHO

1 Comment

Matt D Snyder

On February 6, 2019 4:12 pm 0Likes

Uh Dogfight is as every much a war film as The Sandlot is a sports film. Meaning it’s not. I always watched Dogfight more as an unconventional romantic tragedy.

Reply